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The very first seconds of Pixar’s new feature Soul, the cue card of the Disney castle, offers some of the best jazz ever heard in a Hollywood movie. The famous theme “When You Wish Upon a Star,” is blared out in a raggedy fashion by a brass band, replete with noisy trumpets, squalling saxophones, and tailgate trombone. What? Is this a long-lost Charles Mingus tape? Or somebody equally hip?

When the Disney logo fades into the first scene, it turns out that the band is a distracted group of middle-schoolers who just don’t know how to play quite yet.

Jazz is a tough discipline, but something akin to amateurism is part of the secret sauce. Handed a simple big band chart by Count Basie or Duke Ellington, middle-school groups absolutely outdo polished college jazz ensembles. The college kids know how to play everything correctly at every moment, but they haven’t yet accessed a final stage. Professional jazz players have mastered a mysterious and discordant discipline, where they intentionally muss up a high-gloss finish. That’s why a middle-school band can sound so good: They are naturals at being imperfect.

We give that mysterious and discordant element various names. If the European fundamentals of harmony are being mussed up, it might be the “blues.” If the beat has disjunct yet sophisticated elements, it’s got some “groove.” A generic rubric might be “soul”—amusingly, a word that barely appears in the movie Soul until they kick Curtis Mayfield’s “It’s All Right” for the closing credits.

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